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Title : Nālandā Mahāvihāra: A Critical Analysis of the Archaeology of an Indian Buddhist Site
Author : Mary L. Stewart
Edition : HardBack
ISBN : 9789350981146
Pages : 292
Year of Pub : 2018
Price : Rs 1,795.00
   
 
 

From the 1860s, substantial ruins in the Indian state of Bihar identified as Nālandā Māhavihāra, were of scholarly interest because the monastery was mentioned in the travel accounts of seventh century Chinese monks. From 1916 until 1938, the Archaeological Survey of India systematically excavated, documented, illustrated, and gave continuity to the site. However, ASI ‘historic’ procedures were severely criticized in the 1940s. The ASI was reorganized and reoriented to ‘modern scientific’ methods.
No new excavation took place at the site until 1973. Between 1973 and 1983, the Sarai Mound was exposed, but whereas in the earlier ASI accounts, photographs, diagrams, and considerable supportive material were part of the report, the ‘modern scientific’ approach did not include this information. Nor was there any effort to correlate this find with earlier archaeology.
This critical analysis is concerned with the consequences of such a radical change in the way archaeology was conducted in India. It attempts to look at the history of archaeology in the relevant historical and intellectual context in order to show that valuable lessons were lost through failure to update and evaluate previous reports in the years following the shift in orientation. The work looks more closely at the Chinese texts with reference to what they say about other Buddhist sites. The book attempts to bridge the gap between the two archaeological approaches by placing the site (and by extension, other Indian sites) in a different perspective, thereby opening doors to a variety of related disciplines and studies.


Mary Stewart did her Masters in South Asian Studies, and later Ph.D. in South Asian Art and Archaeology from School of Oriental and African Studies, University of London. She taught British Cultural Studies at the University of Westminster, London, and currently lectures independently on Buddhism and Art History.

 

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